Movie Review - Gunga Din (1939), Detailed Analysis

Gunga Din is built on a plot line with a "split level"Thugs and they get ready to watch their own
personality. It is like two different organisms with tworegiment get massacred by the rebels. However,
different personalities living inside the same body.despite being mortally wounded, the lowly Gunga Din
On the one hand we have the fast talking,manages to climb to the dome of the Golden Temple
wisecracking, happy-go-lucky Sergeants who almostand blares out his bugle in one final act of patriotism,
convince us that war can be "fun" when it's waged bywhile mumbling "the Colonel must know..." Gunga Din's
good-hearted musketeers like these.final sacrifice saves the Regiment.
And on the other hand we have this Kali-worshippingThe Colonel pays him back by honoring Gunga Din at
scary "cult warriors" who personalize "The Other" withhis funeral with that famous last line: "You're a better
their incomprehensible "Golden Temple" rituals andman than I am, Gunga Din!" The books are balanced
seemingly insatiable drive for bloodletting. "Freedomand we can all go home.
fighters" these bad guys are not even though theIf this film were shot six years later, at the end of the
good guys have actually invaded their country.WW2, would it be the same "war is okay since the
The plot line zigs and zags between these twogood win and the bad die" type of simplistic vehicle?
unconnected platforms; between the good humoredWho knows. But it is clear that Cary Grant could've
male camaraderie and swashbuckling action in which adone much better in terms of selecting a part to do
handful of British infantrymen manage to repel thejustice to his acting skills.
faceless Thuggee hordes.However, perhaps I'm being too critical here.
Cary Grant and Douglas Fairbanks Jr. do alright andConsidering the fact that just only ten years earlier
deliver their quote of humor with enough double-takesGrant (as Archibald Leach) was trying to earn a living
and good comedic timing. But above average acting isby walking on stilts, working as an "ladies' escort" and
not enough to save this film from sinking fast,selling neckties on the streets of Manhattan, Gunga Din
especially with today's modern standards of dramaticcan still be viewed as a good step in the right direction
character, action and plot. It just isn't there.for him.
At the end all three sergeants are captured by the